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「像鬼一樣工作」：台灣外籍移工為何陷入「強迫勞動」處境
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In the months since, I continued my real-life work as a Data Scientist while keeping up-to-date on the latest LLMs popping up on OpenRouter. In August, Google announced the release of their Nano Banana generative image AI with a corresponding API that’s difficult to use, so I open-sourced the gemimg Python package that serves as an API wrapper. It’s not a thrilling project: there’s little room or need for creative implementation and my satisfaction with it was the net present value with what it enabled rather than writing the tool itself. Therefore as an experiment, I plopped the feature-complete code into various up-and-coming LLMs on OpenRouter and prompted the models to identify and fix any issues with the Python code: if it failed, it’s a good test for the current capabilities of LLMs, if it succeeded, then it’s a software quality increase for potential users of the package and I have no moral objection to it. The LLMs actually were helpful: in addition to adding good function docstrings and type hints, it identified more Pythonic implementations of various code blocks.
1975年上映的《镜子》是塔可夫斯基极具个人色彩的作品，也是《殉道学》中反复提及的创作执念。这部影片几乎是他的自传式表达。他邀请母亲亲自出演，让诗人父亲阿尔谢尼的诗歌作为画外音贯穿全片，整个筹备过程是他对童年时光的一次深情探访。为了还原记忆中的场景，塔可夫斯基和摄制组做了无数近乎偏执的努力：根据老照片将废墟精准还原，在40年前的原址“复活”被时光摧毁的那栋房子；为了重现童年时如白雪覆盖般开满荞麦花的田野，他们在早已改种苜蓿和燕麦的集体农庄重新播撒下荞麦种子。
。关于这个话题，heLLoword翻译官方下载提供了深入分析
Мощный удар Израиля по Ирану попал на видео09:41
「像鬼一樣工作」：台灣外籍移工為何陷入「強迫勞動」處境。搜狗输入法下载对此有专业解读